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Sustain and release don't seem to be a part of what the hammer is capable of influencing.Īnd if I want an open string to ring with a successive hit, I just overlap the note bars. The basic envelope of the note as far as attack and decay seems pretty fixed on a AP, er, acoustic piano. It seems like manipulating the same parameter. That seems to be controlled uniquely by the damper (please correct this assumption if incorrect).Īnd I am still not sure how sustain might be invoked to any better benefit beyond the way I am manipulating the note bar end points.
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So I don't see how anything else related to the striking of a string and the character of the note envelope due to the hammer relates to sustain. The hammer always falls back after the hit. Still, the only thing that affects the 'hammer' would be velocity. I play them in, but I have zero chops, so there is always a lot of cleanup in the PR.īut you have given me a lot to chew on. (I use mostly AP's and EP's-you can probably guess what 'EP' means). I guess I used my own shortcut notation rather than explaining myself. crosstalk-like effect across the strings as the damper is lifted - if you're using a plugin which features such expressions - this also affects the sound.Īre you entering notes on the piano roll, or playing them in via a keyboard?įirst, sorry about 'AP'. On a real acoustic piano you also get harmonics when using sustain pedals, i.e. In terms of synthesis, it's the release parameter on an amp envelope that can be engaged at will.
Pianoteq 6 sustain pedal on note strike how to#
If you play piano then Sustain is one of the most beautiful, expressive elements there is, even though it's technically a global parameter - in reality you naturally learn how to use it in such a way that it sounds far more dynamic. Use of Sustain/release of the damper results in notes ring out and you can keep hitting them while the sustain is engaged - or you can play softly, and let it ring and then release the sustain when you want to go louder. Try playing arpeggio, with sustain held down, and then try to create the same effect with note on/off alone - and you will be nowhere near. The hammer and the damper are separate, so no, it can't be controlled by length of the notes as this only affects the hammer. Sometimes you want certain notes of a held chord to sustain into the next measure while others do not.īut am I missing something here? Would sustain actually make editing the PR easier? Are there note sounds that I am not getting by not addressing sustain as a global parameter? I feel I have more granular control of what notes are held and how long, just by individually managing the note bar lengths in the PR. I have stayed away from sustain because it is so global. And if the sustain pedal is depressed, the damper stays up also. Am I right am I wrong?īut since the AP only makes these percussive note sounds, can't 'sustain' be controlled in the piano roll by just managing the length of the note bars?
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Of course the damper does not come down until the note is 'let go', sure. IOW, actually holding the key down has no effect, other than that. If you accept my premise, then sustain on an AP is really just based on how long the damper stays up. That is a percussive event (as compared to a held note on a sax, for instance). An AP is an instrument which is actually percussive, and what I mean by that is that the sound is created by a hammer hitting a string. (or.you can also just select all the nodes in the midi draw window and press Q) Maybe I misunderstand the question relative to the piano roll, but provides one or two key strokes to either quantize the sustain events with notes or without the notes. I have the event list open on the left and midi draw below so you can see the non quantized events before and then after selecting the notes see the quantized sustain events ( select notes - rubber band method and hit Q)įor the the score - select one sustain marking, shift S and then Q ( same process for the event list as well). Here are examples where it is done in the piano roll by quantizing the CC64 when(at the same time) you quantize the notes and an example of doing it in the score editor by just selecting the sustain events. You could use the event lect a CC64 event, shift -s ( to select all similar) now quantize If you don't want to quantize at the same time as you do the notes or quantize them differently.
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Now when you select notes and quantize them you will also quantize the CC 64 sustain events. In the piano roll under function: enable "include non midi note events".